Art Critic Prof. Hsiao Chong Ray once said, "Sailing along the Red Cliff from 1981 was one of the most significant works during the period." After reading such well-known classic, the artist "re-read it three times before constructing this painting, and wrote the passage at his studio." This proves the artist's scrupulous attention placed on the composition of the painting, making this oeuvre a masterpiece. At the center is a lofty mountainous rock with a wide stretching pine tree. Looming over the river is a boat, where Su Shi and his guests were taking. The loftiness of the cliff and the small boat enhance the contrast against the grandiosity of Nature. Red leaves add vibrancy to the painting and highlight the autumn season. The painting echoes directly with the poem of elusiveness. The poem was harmonious written next to the mountain. This work was painted on a Taiwanese paper Boluoxuan , which received high recognition from Zhang Daqian, for its well-balanced absorption of ink.