This work carries the style of Yun Shou-ping with a realistic depiction. The structure and compositions were meticulously planned. Rocks on the right were sketched with thick dense strokes extended from the sides, depicting the structure of the cliff. V strokes were used for the dense grass. Wisteria on the left were depicted with central dry brushstrokes to highlight the gnarled branch. This highlights the skills of calligraphy. Green was applied to the illuminated side of the plant, while red was used for the veins of the leaves. Three green and light colours were used for the shade. The branch was sketched with ink in a skillful manner in a juxtaposition of cold and warm tones. Fine strokes were chosen to depict the wisteria in various tones of purple. White and a gradation of purple was used for the delicate and elegant flowers, showing excellent skills of the artist. Two pigeons stood aloft from the rock. Light ink was used on the wings and tail feathers of the white pigeon, with pale hints of pink to highlight the texture. The body was painted to highlight the plump form. The black pigeon shows a velvety texture depicted with exceptional control of the brush. Refined gongbi brush was used for the minute details of the eyes, beaks and claws of the birds, showing a delicate choice of depiction of meticulous and carefree depiction.