This work was structured with reference to Wen Zhengming's painting with similar subject matter, now under the collection of the National Palace Museum. Orchids and bamboo were considered as two of the four gentlemen, possessing high standard of virtues. Chiang possessed great skills in calligraphy. The orchid was drawn using the skills of calligraphy. Bamboo was drawn with individuality. Its stem was drawn from the bottom, from light to dried ink. In one stroke, bamboo stems were inclined to the right, displaying a gentleman character. Nodes of bamboo were drawn in one stroke, end with movement of the brush. Bamboo were drawn with thin stems and leaves spread to the sides. Saturated ink and dried ink were used highlighting their layering. Movement of the leaves were depicted in their natural forms. Orchid in the painting were painted with sturdy brush and saturated ink. Movement of the brush and the application of water enhanced the depiction of tones and colour. Flowers were painted with saturated ink and light swift brushstrokes. Petals were coloured with light ink and the stamens were drawn with cursive script techniques. Chiang’s skills of depiction were achieved through observation, and not only solely through copying from ancient masters. Thus the two subject matters reflect Chiang’s individuality. This work was given to his friends as a wedding gift. Entitled in seal script, the title of the work describes Chiang’s blessing to his friends to his marriage.