Lin Fengmian, one of the most well respected Chinese artists of the 20th century, has been lauded by fellow artist Shiy Dejinn as a "Revolutionary Pioneer of Chinese Painting" ,"Brilliant Chinese Painter of the 30's" and "Most Admired Master". Leveraging the best of both Chinese and Western techniques, Lin devoted his life to painting and teaching the art of painting, and was extremely successful in both endeavors. He established the National Academy of Art in 1928, one of most significant schools of art during that era. This was followed by the Hangzhou National College of art, the birthplace of many of China's 20th century artist. Lin's students included Zao Wou-ki, a prominent master in the world of Chinese Art; Wu Guanzhong, Shiy De-jinn, Chao Chung-hsiang and Chu Teh-chun. His focus on integrating freedom of expression, open-mindedness and harmonized body movement in the painting process has become a guiding principle for all art students.

The mixing of East and West is not a strange concept now, but during Lin Fengmian's age, it was rare. Lin, in an unceasing effort to broaden his spirit, incorporated world art trends in his creative process, while maintaining the distinctive characteristic of Chinese art."Willows and Pavilion" is the painting full of yellowish autumn scenery which is also Lin adept in drawing. Wisps of delicate smoke, at once near and yet distant, like a poem or a dream, apparent western painting, but includes the traditional sentiment rhyme of Chinese painting. Spatial level defined translucent, ideal condition succinct, the color and richly uses the ink brush work rough not to be actually hastiness, the breath is lonesome and quiet.