The painter painstaking structures this painting with willows by the stream and houses on the edge. These elements lead the eye to the center where two figures in white were enjoying tea. This structure and tonality depict a harmonious scene in a local Taiwanese village. Such light tonality was in fact depicted using layers of light green, achieving richness and depth of colour. Such technique could be traced to his masters Chiang Chao-Shen and Chiang's master Pu Hsinyu. Pu once asked Chiang to observe a landscape scroll painting closely and guess the number of colour application. Chiang guessed three, while Pu replied ten. Such method was repeatedly employed by Chiang ever since and passed down to his student Lee Yih Hong. Lee further create by using traditional ink subjects and materials from Taiwan. Structure and clothing of Lee's painting reflect modern literati elements. The Chinese title reflects Lu Tong's poem from Tang dynasty, suggesting the pleasure of tea appreciation.