Owing to Li Chen’s rebirth of energy in a spiritual form, the sculpture is highlighted in an exaggerated and lacquered black object to display a sweet, romantic, joyful, and satisfactory spiritual concept. Hence, despite Li’s art is in gigantic form, but never heavy but flowing in the sky to transmit a “heavy and light” feeling, and a perfect fusion of spiritual energy and material energy. Li Chen’s art, determined to break from the traditional thousand-year religious Buddhist formality of its structures, results in transforming Tang Dynasty’s Buddhist round and complete figurative sculpture and the Song Dynasty’s beautiful spirit and unique characteristics into simplistic sculpture’s smiling face and lines. In addition, Li obtains the cultural elements from the 5000 years of Chinese history, such as spirits, Buddha, dragon, fables, and legends, blending contemporary artistic elements and materials into fusion of tradition and modernity. Hence, Li’s work displays an unprecedented unique style and panorama to endow the Eastern sculpture with a new life.